Heritage in every thread. Streetwear with soul.

The 2023–24 collection from Tribe of Judah brought together two worlds: the sacred and the street. Rooted in Jewish tradition yet grounded in everyday comfort, this series of hoodies and tees was an intentional blend of elegance and edge — clothing designed to carry purpose.

Postmodern Productions led creative across photography, video, and social, crafting a full campaign that included:

  • A main fashion film

  • Behind-the-scenes documentary

  • Social media reels

  • Lifestyle editorial stills

  • E-commerce catalog photography

Shot over two days in New York, the project used a combination of Fujifilm GFX medium format, 35mm and medium format film, and cinema cameras including the RED Komodo and Z Cam 6K. The result is a multi-format visual archive — a campaign that feels both timeless and urgently now.

Working closely with Co-Creative Director Bella Vick, the creative direction leaned into a minimal, clean aesthetic with spiritual undertones — inspired by high fashion, made wearable. As the campaign says:

“Garments are the outer layer of the soul.” Each reel reflected that principle — subtle acts of service, storytelling through styling, and a deep commitment to the message printed on every sweatshirt.

TRIBE OF JUDAH

CREATIVE TEAM

Creative Direction, Photography & Cinematography – Mod Schwalbe

Co-Creative Direction – Bella Vick

Cinematography – Somnang Vann

BTS Director of Photography – Mimi Friedman

Styling – Lila Schiff

Makeup Artist – Maayan Slavin

Production Support & Morale Coordination – Malka Schwalbe

Assistant – Ariel Benskin

Models (EMG Models):

  • Raz

  • Julie

  • Julianna

  • Mayara

  • Sam

Creative Direction & Visual Intent

  • Where are you? (Ayeka — a question from Genesis, a theme of the collection.)

  • Not just what you wear. What you carry.

  • Spiritualwear.

  • Cinematic softness. Street-ready honesty.

  • Shot in motion. Rooted in tradition.

  • This is what happens when trust, intention, and artistry meet.

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